Keo: “ ‘Fanbase’ feels like a very scientific word to use; they genuinely feel like friends”

| 5 min read
Rockstars-in-waiting Keo talk fervent fanbases, Wunderhorse, and debut album 'Put A Smile On For Me'
Photo: Hermione Sylvester

Neu Keo: “‘Fanbase’ feels like a very scientific word to use; they genuinely feel like friends”

On a tour bus in Manchester, Keo’s Finn Keogh and Jimmy Lanwern discuss the subconscious voice, the understanding they share with their fans, and debut album ‘Put A Smile On For Me’.

Scores of teenagers have already scaled the railings at Projekts Skatepark, beating DIY to the optimal glimpse of Keo’s soundcheck in Manchester, as the London alt-rock quartet set up shop in the bowl of this concrete complex. Free tickets for today’s unorthodox pop-up gig – doubling up as the video shoot for their “thrashy and skater-esque” track ‘Pistol’ – flew out in minutes.

Keo packed out Brighton pub The Black Lion on one hour’s notice in May. Two weeks later, fans spilled out of The Elephant’s Head onto Camden High Street as they announced their debut LP, ‘Put A Smile On For Me’. Even today, in late July, frontman Finn Keogh struggles to process the hysteria that his band - completed by his bassist brother Conor Keogh, guitarist Jimmy Lanwern, drummer Oli Spackman - conjures up from thin air. “I fail to understand that people will be here today,” he admits, speaking on their low-roofed tour bus. “You underplay it,” adds Jimmy. “Every step, we’re catching up to how things are going.”

It’s understandable, because Keo’s rise has happened at a frightening pace. Drip-feeding songs onto SoundCloud after relentless gigging around the London circuit, 2025 debut EP ‘Siren’ confirmed the arrival of an unflinching, visceral new rock band. Island Records snapped them up. Reading & Leeds chucked them on the main stage. Throughout, what’s been striking is the age of their audience. Hordes of kids who aren’t allowed into tonight’s show loiter around the skatepark; inside, you can count the over-30s on one hand.

“Before we came on the bus, this girl asked me to write a tattoo in a book, with the lyric “I’m lucky you’re in it with me” from ‘Crow’,” reveals Finn, referencing a song that’s not even available on streaming services. “It’s about my mum having cancer, so it holds a lot of weight to me.” Interactions like these - or the superfan on staff at Joe & The Juice who recently paid for Keo’s lunch - demonstrate the bond they share with their supporters. “‘Fanbase’ feels like a very scientific word to use; they genuinely feel like friends,” says Finn.

Regularly showing up at the drop of a hat, Keo’s fanbase upends the accusations that this generation prefers to doomscroll in bed instead of going outside. “I think TikTok and AI is why people are craving the connection,” offers Jimmy. From DIY’s gig-going echo chamber, is it a stretch to suggest that image is outdated, or do Keo feel like outliers among Gen Z? “Whenever we’re at home, we probably do align with that stereotype,” comes Finn’s candid response. “We need that time to reset,” is Jimmy’s caveat.

Rockstars-in-waiting Keo talk fervent fanbases, Wunderhorse, and debut album 'Put A Smile On For Me' Rockstars-in-waiting Keo talk fervent fanbases, Wunderhorse, and debut album 'Put A Smile On For Me' Rockstars-in-waiting Keo talk fervent fanbases, Wunderhorse, and debut album 'Put A Smile On For Me'

Given the emphasis on Keo’s live show - which dates back to when Finn met Jimmy at London’s George Tavern in 2023 - you can empathise with their need for R&R. Although they operate “six months ahead” and struggle to live in the present, they have a degree of pride towards the manner of their story so far: an old-fashioned slog in the gig room that stemmed from the reality that few support tours were available.

Initially, Finn reveals, their “post-grunge” sound was “completely frowned upon” by London tastemakers: “we’ve had a lot of comparisons to Wunderhorse, and we have taken influence… but it was important to see Wunderhorse building something without playing post-punk. We couldn’t really get gigs because we weren’t in that lane.” But now, Keo’s ’90s-tinged sound is firmly in vogue - a far cry from their adolescence, where hip-hop was king and Jimmy “was weird for playing guitar”.

Setting the standard, monstrous album opener ‘Be Happy’ – “all [Finn’s] influences blended into one” – is a grunge-laced beast, before ‘That’s Me’ retains the tension with coarse production. Listen closely, and lines like “That’s me / I’ve become a fucking plague” cut deep, as Finn opens a window into his brutally-honest lyrical voice. Beyond the “thrill” and “risk” in the song, it was written as an apology for one particular person in his life.

“We trick ourselves into thinking no-one is ever going to hear this stuff,” begins Jimmy. “Emotional stress, joy, or melancholy - whatever emotion lingers in me, it’s the unaddressed stuff that normally comes out,” adds Finn. “But my subconscious brain is writing the song, a deeper version of me that I can’t even address. It’s in the corner of your eye, and if you turn to look, it’s gone.”

What’s clear from ‘Put A Smile On For Me’ is that Finn worries about showing up for the people around him. “I’ve always had this constant desire to be the best I can be, but I beat myself up too much sometimes,” he reflects after a pause. “I let perfectionism bleed into me as a person. I’m full of imagination, and it drives my creativity, but it can also make me imagine the worst things and outcomes. A lot of the record is talking about how I let my imagination get the better of me, and almost speak things into existence.”

Jimmy is often the first person to hear these gut-punch lyrics. “We’re very close. We’ve had conversations before the song comes about,” the guitarist shares. Has writing this album relieved some of the weight on Finn’s shoulders?; ‘How are you?’ feels like the most important question to ask him today. Finn laughs. “Me and my girlfriend of two years broke up a month ago. I actually feel in the right place, but I think that comes with the ups and downs. I would rather have a life that’s up and down than straight down the middle.”

Hence, it’s this underlying topsy-turviness that has come to define Keo’s music; as Wolf Alice told them recently on tour: “that feeling of arrival never [comes]”. For Keo, though, chasing it is enough. As for Finn, he’s determined to keep chasing the best version of himself, too: “the more vulnerable people are in general, the better a place the world will be.”

‘Put A Smile On For Me’ is out now via Island Records. 

Tags: Features, Interviews, Neu, From The Magazine, Keo, September 2026

As featured in the September 2026 issue of DIY, out now.

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